![]() ![]() There are also others in the neighborhood, like a kindly transgender teenager Malcolm (Mack Bayda) thrown out of his house by his dad, the fitness-obsessed Jimmy ( Cameron Britton), Otto’s old friend Rueben ( Peter Lawson Jones), and his wife Anita (Juanita Jennings), who are no longer on cordial terms with Otto. The chief interrupters of our get-off-my-lawn guy are the abovementioned new neighbors: the happily married-with-kids couple Marisol (a bubbly and scene-stealing Mariana Treviño, the absolute best thing about the film) and Tommy (Manuel Garcia-Ruflo), who often ask little favors from the grumpy Otto. His life apparently changed when he accidentally met the dreamy Sonya ( Rachel Keller), who later on became his wife and passed away recently.Īs was the case in “Ove,” Otto can’t wait to join his wife on the other side, but his frequent suicide attempts get interrupted in episodes that are sometimes awkwardly funny, and other times, just plain awkward. With a squarely unstylish side-part haircut that aptly gives out a “nice but unworldly guy” vibe, young Otto (played by the star’s own son, Truman Hanks) had an interest in engineering, in figuring out how things work. In small doses of syrupy and visually overworked flashbacks, Forster and agile screenwriter David Magee show us that he was socially awkward even from his young days, but at least nice and approachable. If you’ve already seen 2015’s Oscar-nominated Swedish hit “ A Man Called Ove” by Hannes Holm, a film that is not any better or worse than this middle-of-the-road American remake (yes, not all originals are automatically superior), you’ll know that Otto hasn’t always been this insufferable. And he could perhaps afford to have some manners himself, especially when a new, very pregnant neighbor drops by with a bowl of home-cooked meal as a courtesy. Then again, not everything is as awful as Otto makes them out to be. Why should he pay for six feet of rope and waste a few extra cents, for instance, when he bought just a little over five? Why shouldn’t he warn inconsiderate drivers who often block garage doors or entitled neighbors who can’t as much as remember to close a gate and respect basic rules about trash disposal? Or pick up a fuss when the soulless real estate guys from the fictional and hilariously named “Dye & Merica” show up to sabotage the community’s peace? Portrayed by the beloved Tom Hanks in an indistinct performance that splits the difference between quirky and grounded, Otto is often right about his grievances, to his credit. ![]() ![]() And his protests are so pronounced that they even rival Larry David’s in an average episode of “Curb Your Enthusiasm.” Living in an unfussy suburban neighborhood of identical row houses somewhere in the Midwest, the aging man gets easily annoyed by every little misstep of a stranger. In Marc Forster’s genial, earnest yet unremarkable dramedy “A Man Called Otto,” the titular character Otto can’t pick his daily battles even if his life depended on it. ![]()
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